Showing posts with label Formal elements. Show all posts
Showing posts with label Formal elements. Show all posts

Tuesday, 30 October 2018

Portfolio, Formal Elements

Portfolio - Formal Elements

Definitions

PortfolioAn artist's portfolio is an edited collection of their best artwork intended to showcase an artist's style or method of work.
  • photographic portfolio is quite simply a collection of work. The common misconception is that it is required to be a 'best of' of all the work you've ever done. Although this can be true in some cases, it is more likely to be a series of work with a unifying theme, style or taken through a specific medium.
Aesthetic - refers to the principles of the nature and appreciation of beauty. Judging beauty and other aesthetic qualities of photographs is a highly subjective task.

Resolution -  is the quality of the image. As the resolution goes up, the image becomes more clear. It becomes sharper, more defined, and more detailed as well.

What makes a good portfolio?
  • Consistent style.
  • Aesthetics - pleasing to the eye
  • Linked to the theme.
  • Similar edit treatment.
  • Limit the formal elements to 2-3 max.
  • Presentation.
  • Select and showcase best images. 

My portfolio

In my portfolio I will be using the formal elements and movement to explore animals and nature. The animal I will be mainly focusing on will be horses however I will also be looking at cats and dogs as well as wild animals. I will also be trying to photograph the equipment involved in horses, such as the tack used for riding.I am going to be looking at the body parts of the horse as well, such as the eyes and the mane. In order to capture movement I am planning to travel up to Newmarket and photography the Racehorses on the training gallops, the Links. 

 My Best Photographs 



























































































Tuesday, 9 October 2018

Form

Form

Form - Form is a three dimensional shape, such as a cube, sphere or cone.Sculpture and 3D design are about creating forms. In 2D artworks, tone and perspective can be used to create an illusion of form.





Image bank









Research (of artist and techniques)

For this research, I have chosen to look at a photographer called Edward Weston. Born in 1886 in Chicago, Weston helped to take photography out of the Victorian age. whether photographing elemental landscapes, sculptural nudes or everyday objects, Weston's formal brilliance was allied to a democratic approach to his subject matter. he wanted "to make the commonplace unusual" a statement that has reverberated through photographic practice to the present day.

Looking at his work now, though, it strikes me that what he actually did, more often than not, was make the commonplace wondrous and beautiful. In Weston's still lives, for instance, the tonal quality of his black-and-white prints imbue everyday objects, both natural and man-made, with a heightened presence that sometimes makes them seem almost unreal.




Contact sheet

In my photos, I wanted to photograph my interests. in this case, it is horses, and the equipment that comes with it, instead of the standard fruit and vegetables.





My best images / images that need editing

I feel that these images, although some are my best, need to be edited as at the yard where these were taken was not the best place to capture the details in the objects that I wanted. the light was natural, ideally I would have studio lights, however I feel that have done the best I could under the circumstances.


This photo needs better set up, the focus is too in the middle for my liking and I would have positioned the camera more on the saddle than on the wooden fence that it is sat on.


 This photo is not only out of focus but the aperture is too high. the camera is also not in the best position.


 Here I have changed the exposure and the brightness to create a darker, moodier photo.



 I like this photo, although I have had to change the brightness and contrast slightly, the focus of the camera creates an interesting and pleasing photograph.


This photo is also too bright and the focus is not correct.


AO1: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.

I feel that the artist research was helpful for this project as it helped me to understand how placing the camera in the right place can affect your final image so much. I liked the images that the artist had produced however I was not interested in his choice of objects. I did keep in mind his style of photography whilst I was shooting my pictures though. 

In conclusion, for my images, I photographed what interested me. they did not turn out 100% as I had hoped but this was because of the lack of studio lighting that would have added an extra level to my work. 

AO3: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.

My idea for recording Form was to photograph the finer details in nature, and find how shape can present itself. I was inspired by Andy Goldsworthy's work, not by his method of editing the photos, but by his way of taking and setting up the photo.

With reference to my best selected images: I feel that these images link to the topic and to the artist that I studied. I also feel like the work in which I have shown my focus on shape in nature through some different forms. 

The photo of the Albion saddle logo was shot close-up at a canted angle. I feel like this made for a very interesting picture due to the detail in the surrounding leather. I manipulated the curves on this image to make for a dark and moody image.  This image was inspired by the artist Edward Weston's photo of the saddle. When I attempted to create an image like his, I found it quite difficult. So I started experimenting with the close ups, which is much more my style.


For the second image, I used Hay nets (for horses) that were hanging up. I once again got close up the the objects in order to capture the form. I decreased the Brightness and turned up the contrast. This once again made for a moody image that showed it's true form.

In this photo,  I placed horse head collars in a row. Naturally, the light hit the grey head collar. When I uploaded this image into photoshop, I adjusted the Curves. i used this to accentuate the natural ray of light and darken the surroundings.


AO2Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.

To take my photos I used a Canon E10 1000D, with multiple lenses. Whilst on the shoots I played around with the aperture and shutter speeds on the camera, trying to create some interesting images. I used a much faster shutter speed than I had originally anticipated to shoot with, however this made some of the images darker and moodier, creating a nicer image.


Photo 1
Lens : EF-S18-250mm F/3.5-5.6
Exposure : 1/100 sec
F/ : 5.6
ISO : 400

Photo 2

Lens : EF-S18-250mm F/3.5-5.6
Exposure : 1/1300 sec
F/ : 5.6
ISO : 400

Photo 3

Lens : EF-S18-250mm F/3.5-5.6
Exposure : 1/1600 sec
F/ : 5.6
ISO : 400

Photo 4
Lens : EF-S18-250mm F/3.5-5.6
Exposure : 1/125 sec
F/ : 4.5
ISO : 400

Photo 4

Lens : EF-S18-250mm F/3.5-5.6
Exposure : 1/200 sec
F/ : 5.6
ISO : 400

AO4: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.  

I believe that I have produced a strong series of images inspired by my research of form, exploring the equipment involving horses and the images of Edward Weston.  The final images produced were refined by developing the photo in photoshop using a range of techniques.










Documentary portfolio

Documentary Portfolio